OLA ZAITOUN
  • Sun Of Lace
  • Sun Of Lace
  • Presence Of Fading
  • Intimate Point
  • Shadows Beneath The Skin
  • Rumination
  • Rumination 5
  • Rumination 4
  • Rumination 3
  • Rumination 2
  • Rumination 1
  • Shadow Of The Void
  • Shadow Of The Void - Installation At Qattan Foundation
  • Where There Is Much Light, The Shadow Is Deep
  • Braces " A Bridge To My Mother"
  • Nicroses
  • Facial Treatment
  • Coffee Mask
  • Black Mask
  • Cinamon Mask
  • Blue Pigment
  • The Story Of The Labaneh Ball
  • Labaneh And Olives
  • Three Balls Of Labaneh
  • Lonely Ball
  • The Open Jar
  • Jar of Labneh Balls
  • Portraits
  • Dahoud Abou Dahoud
About
Artist Statement
CV
Contact
OLA ZAITOUN
  • Sun Of Lace
  • Sun Of Lace
  • Presence Of Fading
  • Intimate Point
  • Shadows Beneath The Skin
  • Rumination
  • Rumination 5
  • Rumination 4
  • Rumination 3
  • Rumination 2
  • Rumination 1
  • Shadow Of The Void
  • Shadow Of The Void - Installation At Qattan Foundation
  • Where There Is Much Light, The Shadow Is Deep
  • Braces " A Bridge To My Mother"
  • Nicroses
  • Facial Treatment
  • Coffee Mask
  • Black Mask
  • Cinamon Mask
  • Blue Pigment
  • The Story Of The Labaneh Ball
  • Labaneh And Olives
  • Three Balls Of Labaneh
  • Lonely Ball
  • The Open Jar
  • Jar of Labneh Balls
  • Portraits
  • Dahoud Abou Dahoud
About
Artist Statement
CV
Contact

Intimate Point

This work can be seen as a continuation of “Sun Of Lace” and places the viewr in my perspective. It reveals my intimate and infinite relationship with lace.

Intimate Point 2026, watercolor on Arches rough paper 300 GSM and shuttle lace with D.M.C thread, 55cm *75cm .

Photographed by Nathanael Gautshi ​​​​​​​

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